The Total Package. The Secret History and Hidden Meanings of Boxes, Bottles, Cans, and Other Persuasive Containers by Thomas Hine
Chapter What's in a Package (pages 12–43 from the book in PDF, 229 KB)
The Total Package is a fascinating look at the unexpected meanings hidden in the most familiar boxes, bottles, cans, and tubes found in every home. Thomas Hine decodes their secret language in a lively narrative revealing the way we sell our products and ourselves, and changing forever the way we see our increasingly packaged world.
Hine explores the engineering, design and advertising components of product packaging and reveals true reasons behind some of the details that are usually left unnoticed: for example, cigarette packs have hinged lids to force smokers to take the pack out of a pocket and demonstrate the brand to others.
Even more interesting are parallels drawn by the author between the ways boxes and cans on store shelves and “packaged” phenomena, people and companies influence mass consciousness.
This ability of packaging to bypass the intellect and induce a consuming forgetfulness is what makes it so effective. Although packaging pervades daily life and is found in every nook and cranny of the home and workplace, it flies beneath nearly everyone’s analytic radar. It only comes to the fore when there’s a problem. People think about packaging when they have trouble getting it open, or when it’s empty and it contributes to litter or overflowing landfills. But when packaging is working well, people rarely think about it apart from the product it contains.
Packages understand people much better than people understand packages. The Total Package is about how modern packaging developed and how it works now. It considers packaging not primarily as an industry or a cluster of technologies but as an important and often unacknowledged part of modern life. Its premise is that people’s relationships with packages are a good deal more complex than they realize.
From the foreword by the author
translator
- Igor Foronov
art director
chief typesetter
- Iskander Mukhamadeev
typesetter
- Anna Golovina
illustrator
- Lizaveta Romantsova
technical designers
- Vladimir Pavlenko
- Leonid Danilov
editor
- Katerina Andreeva
index editor
proofreader
- Ekaterina Kasimova
project manager
- Anna Samsonova
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- Hardcover
- 432 pages
- Dimensions: 144×216 mm (5,6″×8,5″)
- Press run: 3000
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ISBN 978-5-98062-091-2