On Various Matters by Vladimir Krichevsky

This collection brings together three important works by Vladimir Krichevsky, a classic of Russian graphic design. The edition includes the article “An Essay on the Spatial Organization of Text” as well as the books “The Poetics of Reproduction” and “Ideal Design”.

Together, they create a comprehensive and engaging picture of the author’s professional views—often critical and idealistic—on a wide range of topics related to graphic design and visual culture: typography, layout, reproduction, borrowing, retouching, as well as the nature of creativity, the economy, aesthetics and ethics of design.

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Twenty years ago, the word “design” was spoken like a magic spell, juxtaposing “nothing unnecessary” and “everything thought through” with the flabby graphic reality. Today, design is in the hands and mouths of everyone. This encourages me, an incorrigible idealist and maximalist, to speak about the ideal in the profession. As you may have already guessed, this will be about graphic design. <...>

This little book is not a textbook. It is not about the proper serifs and margins, not about harmonious color schemes or ways of overcoming optical illusions, not about design methodology, styles, clever “tricks,” or biennial triumphs, but about everything behind these elements—what’s worth reflecting on before picking up a pencil or mouse. I’m interested in the circumstances of the emergence, existence and illumination of graphic design, the entire range of its products. I don’t need to separate designers from clients: both parties (together with printers and distributors) work together on the same task and, mind you, are almost always worthy of each other.

Confidently discussing the ideal, I mean the wonderful profession where everything is possible and practically easy to achieve. It only requires a conscious will to professionally define oneself and creative freedom.

»

From the book “Ideal Design”

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Vladimir Krichevsky is an outstanding Russian graphic designer, book artist, design theorist and educator who made a significant contribution to the development of visual culture in Russia. Born in 1947, he graduated from the Moscow Polygraphic Institute, where he later taught. His work is characterized by a deep focus on typography, publication structure and the visual harmony between text and image. His creations exemplify a blend of intellectual rigor, minimalism and a high aesthetic culture.

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art director

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editor in chief

editor

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  • Antonina Semenova

producer

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  • Hardcover
  • 200 pages
  • Dimensions: 144×215 mm (5,6″×8,4″)
  • Press run: 3000
  • ISBN 978-5-6052935-5-2
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