Left to right: visualizer Viktor Lvov, designers Sofia Solomko, Alexander Blagov, Boris Tarasov, manager Ekaterina Filimonova, designer Andrey Fabishevsky and art director Timur Burbayev have their pictures taken on on eof the Moscow roofs.

A typeface workshop took place at the studio. Pictured (left to right): typesetter Anna Olshevskaya, art director Timur Burbayev, designer Sofia Solomko, typesetter Yaroslav Bondarenko, photographer Anastasia Pakosh, designer Fedor Fokin, designer Olga Konovalova, designer Ivan Tikhomirov, typesetter Nadezhda Efremova, type designer Taisiya Lushenko, type designer Ksenia Yerulevich and designer Dmitry Lamonov with their assignments; the task was to write their name or a favorite word.

Art director Timur Burbayev launches a kite at the studio.

Art director Timur Burbayev test a working prototype of Rozetkus-8.

Photographer Yevgenia Filatova embarked on a voyage on a gas tanker from Yuzhno-Sakhalinsk to Seoul. Soon, communication stopped and studio employees (left to right: designer Anastasia Musayeva, head of graphic design department Yevgenia Ezhikova, photographer Anastasia Pakosh, manager Anna Frolova, manager Pavel Molchanov, chief typesetter Iskander Mukhamadeyev, desinger Yegor Zhgun, manager Raisa Primakova, manager Marina Potapova, content manager Daler Aliyerov, manager Yulia Figlovskaya, designer Yevgeny Zorin, manager Olga Kallaur, manager Yulia Nikolayeva, type designer Taisiya Lushenko, manager Natalya Afonina, designer Vladimir Pavlenko, designer Lyudmila Lyalina, designer Tatyana Buchneva, typesetter Nadezhda Efremova, head of production department Anastasia Prishchepa, typesetter Anna Olshevskaya, designer Sergei Nikolayev, typesetter Yaroslav Bondarenko, technologist Yevgeny Kuleshov, manager Inna Sidorova, coder Alena Malashenko, type designer Ksenia Yerulevich, designer Ivan Olenkevich, system administrator Andrei Nekrasov, designer Maria Ksenofontova, art director Timur Burbayev, manager Anna Grigoryeva, office manager Diana Novozhenina, designer Sofia Solomko, designer Yana Moskalyuk, manager Vsevolod Chagaev, photographer Leonid Danilov, lawyer Yevgeny Potanin, designer Alexey Sharshakov) decided to send her their greetings.

Another internal seminar took place at the studio: art director Timur Burbayev and designer Sofia Solomko spoke about how Skameikus benches and Urnus trash cans were created.

Ice cream tasting took place at the studio. Pictured (left to right): art director Timur Burbayev, founder of Icemake Moscow company Alexey Korolev, foreman Izolda Vinogradova and designer Boris Tarasov.

A seminar at the studio: art director Timur Burbayev spoke about the anatomy of human spine and how to keep it healthy.

Art director Timur Burbayev launches a four line kite from the top of the studio building.

The recent presentation at the studio: art director Timur Burbayev told his story of becoming the Europe 2013 champion in kite flying.

Designer Alexey Sharshakov, designer Alexey Ivashkevich and art director Timur Burbayev remove the Svintus master model from a silicone matrix mold.

The studio’s shop is busy developing Svintus power strip. Pictured: master model for silicon matrix.

Art director Timur Burbayev pours water from a Barrier water filter pitcher created at the studio.

Art director Timur Burbaev giving one of the series of lectures on industrial design and the specifics of product development at the British Higher School of Art and Design.

Strelka Institute: the studio’s art director Timur Burbaev (right, with a glass) speaking on the proper look of an industrial designer’s portfolio.

Recent presentation at the studio’s Kiev office: art director Timur Burbaev shed some light on industrial design process.

Designer Andrey Fabishevsky and art director Timur Burbayev examining Leverus door handle life-size mock-up.

Art director Timur Burbayev is trying to bite the tail of Thermosaurus radiator scaled-down model.

Testing Isiklarius traffic light prototype. From left: designers Andrey Fabishevsky and Alexei Sharshakov, art director Timur Burbayev, and modeller Aleksander Pozdeyev.

Art director Timur Burbyev (left) introducing Rossia-2 TV channel crew to development progress of the studio’s Optimus keyboards family.

The industrial design department running Optimus Popularis prototype tests.

Art director Timur Burbayev—a first prize winner at the individual competition in Multi-strap Sport Kite flying within the first round of ATACK Russia 2012—making a presentation on sport kites at our headquarters.

Sretenka Design Week festival, Respublika store: art director Timur Burbaev giving a presentation on ideas: conceiving, developing and perfecting.

Art director Timur Burbayev is watching 3-D printing of life-size model of heat dissipating element for LED lightbulb Optogan. Material used is acrylonitrile butadiene styrene (ABS). Next to the printer you see Optogan life-size model made of modeling foam and cardboard together with a working prototype.

Left to right: modeler Alexander Pozdeyev, visualizer Philipp Gorbachev, designer Vasily Markin, director Andrey Dyakov, artistic director Artemy Lebedev, designers Andrey Fabishevsky, Alexey Sharshakov, Maria Borzilova, art director Timur Burbayev and business development manager Evgeniy Volodin demonstrate volumetric mock-ups of Isiklarius traffic lights developed at the studio for Istanbul streets by the request of Isbak and Istanbul City Council.

Art director Timur Burbayev demonstrates a full-size mock-up of Optimus Popularis keyboard made of modeling polystyrene. Next to it for comparison: a production Optimus Maximus keyboard and one of its first full-size mock-ups.

Studio’s art director Timur Burbayev demonstrates key stages of evolution of the Atmark mug from 2002 until present.

Left to right: 1—preproduction sample of the Atmark mug from ColorShift series made by laser stereolithography (early 2002); 2—prototype produced by Latvijas Keramika (2002); 3—production sample of a matte mug produced in Latvia (2002); 4—one of the first prototypes produced in China (Chinese experts decided to improve the design and attached the @-shaped handle upside down); 5, 6 and 7—production samples of Atmark 1.0 mugs produced in China (2005); 8 and 9—Atmark 2.0 prototypes (with a modified handle, thin walls and a notch under the handle) created at the studio on a 3D printer; 10 and 11—Atmark 2.0 production samples with white internal surface produced in China (2007).

Tatyana Devayeva has been working as an editor at the studio since mid-2004. Now Tanya is leaving Russia and time has come for the studio to say goodbye.