I love and respect this project madly and constantly recommend it to everyone. I don’t skip a single newsletter.

Most of all I like the “Inspiration” section. On your own it takes a long time and laziness to go around different sources, look at what someone has done, and do this on a regular basis. And in the newsletter all the selections come at once, like on a platter.

In my courses on typography and graphic design, and also whenever I am asked for advice on where to look for inspiration, I first of all recommend Odi’s newsletter. I haven’t come across anything better yet.

Today’s information flow mercilessly drowns the reader. Every day a multitude of materials about design are published by media outlets and by countless bloggers.

My respect to the editorial team: from all this flow the guys select the most important things. I especially like the digest release format — before the weekend. During the week the brain is busy with work tasks, and on Friday evening it is just convenient to plan for the weekend the study of the main news about design, reviews of new tools and interesting articles and ideas that I share with my team and eagerly study myself.

The format is close to me in how it works with experts: respectfully, thoughtfully and without attempts to simplify complex thoughts. The editorial office is not afraid of ambiguous points of view and encourages the author’s voice — a rarity for industry media.

Each publication here for me is not just an article or a comment, but a part of a professional conversation about where design and advertising are actually heading.

I am almost not subscribed to design channels, because usually there is a pile of scattered content that accumulates in the archive and is never read.

And here once a week they send a big selection of good materials in one place. You grab a coffee, flip through for an hour, learn all the news of the week, save the useful stuff and then get back to work.

This is a must‑have thing for any designer, of any level and denomination. I remember how I always waited for a new issue to come out to replenish the collection with something interesting. And just reading the news from the world of design was always useful.

I’m glad that the team has preserved the approach to presenting information and has significantly diversified the content. Need materials about interfaces or typography — they are there. Interested in illustration, packaging or three‑dimensional graphics — that’s there too, plus humor and the “Random” section have been added, where it’s nice to take your mind off things.

I want to wholeheartedly thank everyone who works on creating the content. This is an incredible, colossal and very important job for the entire design industry.

I have 72 design channels on Telegram in my subscriptions. Here are the peppy guys, here the cheerful ones, here the productive ones. Sometimes you do catch a fish in the pond, but rarely. You have to filter a lot. The abundance of information leads to its inevitable inflation. There is too much trash.

I also have a channel in which at this moment there are 44,901 unread messages. I now just keep this channel as an artifact.

And here there are almost no throwaway materials. The authors take the trouble to write not for the sake of letter count, but to formulate meaning. This is a lot of work. I went in in the morning: out of 10 articles read, 2 were useful right away, 1 I set aside for later. This is a concentrate.

I love and respect this project madly and constantly recommend it to everyone. I don’t skip a single newsletter.

Most of all I like the “Inspiration” section. On your own it takes a long time and laziness to go around different sources, look at what someone has done, and do this on a regular basis. And in the newsletter all the selections come at once, like on a platter.

In my courses on typography and graphic design, and also whenever I am asked for advice on where to look for inspiration, I first of all recommend Odi’s newsletter. I haven’t come across anything better yet.

Today’s information flow mercilessly drowns the reader. Every day a multitude of materials about design are published by media outlets and by countless bloggers.

My respect to the editorial team: from all this flow the guys select the most important things. I especially like the digest release format — before the weekend. During the week the brain is busy with work tasks, and on Friday evening it is just convenient to plan for the weekend the study of the main news about design, reviews of new tools and interesting articles and ideas that I share with my team and eagerly study myself.

The format is close to me in how it works with experts: respectfully, thoughtfully and without attempts to simplify complex thoughts. The editorial office is not afraid of ambiguous points of view and encourages the author’s voice — a rarity for industry media.

Each publication here for me is not just an article or a comment, but a part of a professional conversation about where design and advertising are actually heading.

I am almost not subscribed to design channels, because usually there is a pile of scattered content that accumulates in the archive and is never read.

And here once a week they send a big selection of good materials in one place. You grab a coffee, flip through for an hour, learn all the news of the week, save the useful stuff and then get back to work.

This is a must‑have thing for any designer, of any level and denomination. I remember how I always waited for a new issue to come out to replenish the collection with something interesting. And just reading the news from the world of design was always useful.

I’m glad that the team has preserved the approach to presenting information and has significantly diversified the content. Need materials about interfaces or typography — they are there. Interested in illustration, packaging or three‑dimensional graphics — that’s there too, plus humor and the “Random” section have been added, where it’s nice to take your mind off things.

I want to wholeheartedly thank everyone who works on creating the content. This is an incredible, colossal and very important job for the entire design industry.

I have 72 design channels on Telegram in my subscriptions. Here are the peppy guys, here the cheerful ones, here the productive ones. Sometimes you do catch a fish in the pond, but rarely. You have to filter a lot. The abundance of information leads to its inevitable inflation. There is too much trash.

I also have a channel in which at this moment there are 44,901 unread messages. I now just keep this channel as an artifact.

And here there are almost no throwaway materials. The authors take the trouble to write not for the sake of letter count, but to formulate meaning. This is a lot of work. I went in in the morning: out of 10 articles read, 2 were useful right away, 1 I set aside for later. This is a concentrate.